Vibing off of light, layered keys and female R&B coos, Break gives us a rolling five minutes of pure A-side. Not to be lost in the air, a thickly chopped break plays overtop sub bass as filter resonances enter at the offsides, carefully touching on the interplay of voice and gated percussion. This is a rattling piece that's as much deep house as it is liquid step.
Break's take on Mako's recent Billie Holiday homage bounces its bass and hi-freq drums between two densely layered snare notes. Splices of tape-delayed voice dither off into an empty jazz-space, leaving a heavy analog-sounding synth, motes of vinyl dust and a closing section that fades just before returning to the tonicó ready for the final phase of your mix.
It comes out in September, look out for it at all your favourite music outlets.
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